The Page of Magdalena H.: Which reminds me of the Flying Spaghetti Monster.

„[...] тебе ќе ти ја кажам тајната на мојот успех. Таков зачин – немав. Сè што правев е дека постојано правев шпагети.““

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„А јас, ете, се вратив. Не заради роднокрајниот елемент, туку затоа што мислев дека тука сè уште ќе бидам корисна, затоа што имав нерасчистени сметки со оваа култура. Исто така утре може да заминам. Не гледам како да се создава, освен со таа ослободеност, и тоа точно во име на твојата култура.“

-Јасна Котеска, Каде стоиш додека го создаваш своето дело?, Блесок
(Jasna Koteska, Where Do You Stand While You Create Your Work?)

The mercurial mental patterns of the species

"The way to develop good taste in literature is to read poetry. If you think that I am speaking out of professional partisanship, that I am trying to advance my own guild interests, you are badly mistaken. For, being the supreme form of human locution, poetry is not only the most concise, the most condensed way of conveying the human experience; it also offers the highest possible standards for any linguistic operation - especially one on paper."

"The more one reads poetry, the less tolerant one becomes of any sort of verbosity, be that in political or philosophical discourse, be that in history, social studies or the art of fiction. Good style in prose is always hostage to the precision, speed and laconic intensity of poetic diction. A child of epitaph and epigram, conceived indeed as a short cut to any conceivable subject matter, poetry to prose is a great disciplinarian. It teaches the latter not only the value of each word but also the mercurial mental patterns of the species, alternatives to linear composition, the knack of omitting the self-evident, emphasis on detail, the technique of anticlimax. Above all, poetry develops in prose that appetite for metaphysics that distinguishes a work of art from mere belles-lettres."

"Please, don't get me wrong: I am not trying to debunk prose. The truth of the matter is that poetry simply happens to be older than prose and thus has covered a greater distance. Literature started with poetry, with the song of a nomad that predates the scribblings of a settler. And although I have compared somewhere the difference between poetry and prose to that between the air force and the infantry, the suggestion that I make now has nothing to do with either hierarchy or the anthropological origins of literature. All I am trying to do is to be practical and spare your eyesight and brain cells a lot of useless printed matter. Poetry, one might say, has been invented for just this purpose - for it is synonymous with economy. What one should do, therefore, is repeat, albeit in miniature, the process that took place in our civilization in the course of two millennia. It is easier than you might think, for the body of poetry is far less voluminous than that of prose. What's more, if you are concerned mainly with contemporary literature, then your job is indeed a piece of cake. All you have to do is to arm yourselves for a couple of months with the works of poets in your mother tongue, preferably from the first half of this century. I suppose you'll end up with a dozen rather slim books, and by the end of the summer you - that is, your literary taste - will be in great shape."

From "How To Read a Book" by Joseph Brodsky.

The Page of Magdalena H.

Which reminds me of the Flying Spaghetti Monster.

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The mercurial mental patterns of the species

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